One question that students often ask me is why they need to
learn drawing when they want to paint. The main reason for this is that black-and-white drawing will teach you most of
what you need to learn about painting - form and direction, light and
shade, perspective, positive and negative space, foreshortening, composition,
anatomy, character, texture and detail. It will give you hand control and
eye-hand coordination. It will also give you observation practise and critical
evaluation skills, which further teaches you how to see and correct your own
mistakes.
And it will do all of this without colour (hue). That is an
advantage in that colour has its own complex rules, so that is one less thing
to worry about. But in the overall scheme of a painting, colour is a small part
of believability. When trying to convince your audience that your subject
matter is real, getting the form right (through tone, direction, perspective
etc) far outweighs the importance of getting the colour right. Colour changes
rapidly and often, through movement, light, shadow or the presence of other
objects. We recognise the object through all of these changes because the form
stays the same. If we convey the form believably, we have our audience.
In fact, colour can distract us away from form. It can dilute
the all-important tones and tonal changes that create the illusion of form. We
can get so caught up in trying to make a vase a beautiful orange that we forget
to make it round, shaded, highlighted, full, heavy and reflective. Learning to convey
these subject qualities without colour means that you learn their importance
and the skills required to achieve them. Colour can then be added to into a working system, taking its place as one quality within many.
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